The Twin Peaks revival series has ended, fittingly with a final scream of horror from Laura Palmer, just as the original series began with another scream.
The new series was uneven, with striking moments at times, and other scenes that seemed to add little and go nowhere. The series was overlong at eighteen episodes, where a tighter run of ten episodes could have been more compelling. Most enjoyable was the chance to return again to the town of Twin Peaks itself and reconnect with familiar characters, much older now, from the original series.
Key to understanding the storyline are some basic themes from director David Lynch:
1. The fluidity of time between past and future.
2. The link between conscious reality and dream world reality.
3. The existence of a transcendent evil force beneath the surface of the normal world.
4. The idea that individual selves may exist in multiple different time streams.
Twin Peaks is a surrealist narrative, driven by psychological/emotional meaning, not literal, conventional plot structure. This has the effect of floating through a disjointed, fragmented nightmare with no logical anchor.
The series ends with FBI Agent Dale Cooper returning to one happy time stream self as Douglass Jones with his family in Las Vegas. In another variation, Cooper finds Laura Palmer living as a different self in another time stream life and he tries to undo the events of her murder in Twin Peaks. The result is Laura's terrifying vision back to her murder that began the original TV series.
That final brilliant sequence was a fitting jolt back to the sinister mystery coiled beneath the placid, quirky surface of Twin Peaks.